BIOGRAPHY
PRATIK GANDHI
Pratik Gandhi (he/him/his) is a conductor, percussionist, clinician, and researcher based in Toronto. He currently serves as sessional instructor at the University of Toronto Faculty of Music, where he directs the Wind Ensemble and teaches conducting. He is also music director of the Rouge River Winds, a position he has held for over a decade, and was recently appointed as music director of the Milton Philharmonic Orchestra, starting in the 2024-25 season.
Pratik was previously selected as a finalist for music director positions with the Cathedral Bluffs Symphony Orchestra, the Oakville Symphony, the Northdale Concert Band, and the Wellington Wind Symphony. He served as assistant conductor of Symphony on the Bay (now the Burlington Symphony Orchestra) for five years, and as associate conductor with the Toronto Youth Wind Orchestra for three years. He also served on faculty as conductor of the string orchestra, symphony orchestra, and faculty string orchestra at the International Music Camp in 2012.
In frequent demand as a guest conductor and adjudicator across Canada, Pratik serves as adjudicator and Vice-Chair for the concert band division of MusicFest Canada. He has recently adjudicated at the Golden Horseshoe Music Festival in Hamilton, the Kiwanis Music Festival of London, and the MBA Concert Band Festival in Winnipeg. In February 2027 he will head to Ottawa to adjudicate at the Capital Region MusicFest.
As a scholar, Pratik’s research interests centre on the group of Canadian composers writing music for wind bands, and issues of equity and representation among this group. He has contributed several articles to Canadian Winds, and most recently a chapter on decolonizing band music practices for the Winds of the North teaching resource book. He has also compiled a publicly accessible database of Canadian wind works. Pratik regularly presents workshops for music educators on conducting techniques, wind repertoire, and percussion pedagogy. A complete list of publications and other writings is available here.
Pratik’s conducting experience covers a wide variety of genres and repertoire. He has led orchestras in performances of symphonies, concertos, and overtures; he has served as music director for stage works including operas, musicals, and cabarets; and he has conducted chamber ensembles, wind bands, choirs, and many different collaborative projects. Collaborative music-making is one of Pratik’s passions, and he particularly enjoys directing works for multiple performing forces. He has also earned the Ontario Band Association’s Conducting Excellence Award on multiple occasions.
Pratik is a champion of new music, and has conducted the premiere of numerous works, including Jodi Vander Woude’s Quiet you with my love: lullaby, for soprano solo, female chorus, and large orchestra, and Kristie Hunter's Stronger Than, for orchestra. In 2008, Pratik was selected to participate in the Windsor Symphony Orchestra’s conductor-composer workshop, premiering John Leigh, by Brenden Fraser. As part of Toronto's Cultural Hotspot initiative, Pratik led the Greater Toronto Philharmonic Orchestra in a concert in June 2015 that included new music by Frank Horvat and John W.N. Palmer. Under his leadership, the Rouge River Winds have helped to commission works from composers Steven Bryant, Pete Meechan, Cait Nishimura, Giovanni Santos, and Bill Thomas. As guest conductor and then resident conductor of the Toy Piano Composers, Pratik has directed the premieres of works by Elisha Denburg, Alex Eddington, Joseph Glaser, August Murphy-King, Julia Mermelstein, Monica Pearce, Dr. Fiona Ryan, Bekah Simms, and Tyler Versluis, among others. At the University of Toronto, he has premiered new works by composers-in-residence including Stephen Morris, Homa Samiei, Fish Yu, and Yuhan Zhou. Pratik is credited as conductor on three albums of contemporary music: Bekah Simms’ impurity chains (conducting two tracks, including the Juno-nominated “Granitic”); the Toy Piano Composers’ self-titled debut album; and the recent premiere recording of Benjamin Sajo’s “The Great War Sextet”.
Pratik was also the founding music director of Soup Can Theatre, and his work during his decade-long tenure with the company received rave reviews. In 2014, he composed a piece and commissioned three others for Soup Can's innovative co-production Circle Jerk; the music was called "gorgeous and wildly entertaining" and "phenomenal". Their 2013 production of Barber's A Hand of Bridge, for which Pratik served as both stage director and musical director, made "a powerful impression", and delivered "an abundance of emotion and meaning"; it was also nominated for Best Indie Production of 2013. Later that year, he directed the music for their hit Fringe show Love is a Poverty You Can Sell 2: Kisses for a Pfennig, in which the orchestra was said to have made the show "immediate and vibrant and lovely", and whose cast was named one of the festival's outstanding ensembles. His musical direction of their summer 2011 staging of Peter Weiss’ Marat/Sade was hailed as "top-notch", and “the strongest part of the production...just the right dramatic edge”. Most recently, Pratik arranged and directed the music for Soup Can’s widely acclaimed adaptation of Dickens’ A Christmas Carol, set in Toronto’s historic Campbell House; according to one review, the music successfully served as “a barometer of the health of the scenes” of the show.
Pratik received a B.Mus. in music education and an M.Mus. in conducting from the University of Western Ontario, where he studied conducting with Dr. Colleen Richardson, Jerome Summers and James McKay, and percussion with Dr. Jill Ball. He received numerous entrance and in-course scholarships and awards, including the Western Scholarship of Excellence, the London Music Scholarship Foundation Endowment Award, and the Silver Medal for Excellence in Leadership. During his graduate work at Western, he also founded and directed a string orchestra called Gli Archi, which presented two full-length concerts and recorded several new works for local composers including Anthony Aceti and Jeff Smallman. Pratik is currently pursuing doctoral studies at York University, where his research, supported by an Ontario Graduate Scholarship, investigates issues of equity and representation among wind band composers in Canada.